(item number) 1121
(title) Kappa no Sanpei - All Eight Volumes
(author) Shigeru Mizuki
(maker) Usagitsuki Shobo
(size) A5
(sheets) 144P
(condition) common
(detailed) Volume 1 - Kashi-hon string binding, the cover tearing repaired, stained and torn, 2 Volume - Kashi-hon string binding, vinyl cover stuck, damaged, stained and torn,repaired with tape, Volume 3 - Kashi-hon string binding, cover has stains and tears, Volume 4 - thread binding marks, peel off marks on entire cover, stained and torn, chipped, gutter cracked, Volume 5 - thread binding marks, cover chipped, stained and torn, chipped,small drawings, gutter cracked, Volume 6 - Kashi-hon string binding, cover discolorations, stains, tears, cover has stains, writings, pages stained, Volume 7 - thread binding marks, cover chipped, pages stained, Volume 8 - Kashi-hon string binding, cover 2 -3Cm missing in several places, stained and torn
(starting bid price) 1,200,000 yen
(comment) Volume 1 - Kiyoshi Kurosu "skull ship" / Volume 2 - hilarious Kasoketaira "disappeared Forest" / Volume 3 - Isao Omura "curse of the little finger" / Volume 4 - Kazuo Kuroda "I died" / Vol. 7 - Kuroda Kazuo "nightmare of the island" / Vol. 8 - Hiroshi Narumi "blood-sucking Auntie" Heiroku
○ is the house of elders in the habitat to space of kappa. Only made of rocks and trees, but what luxury house look attractive than is, or probably because there is a surreal impression that bring even over brewed the nature itself of the material for thousands of years
○ Sanpei of the home, it is the house in the village off you are living with the grandfather. Mihira and Death of man and kappa here on the stage, it four grandfather is encountered in this volume, the story will continue, starting
○ Mihira will be taken to the entrance of the spirit world in a state of suspended animation. The local scenery and surreal of the alien world scene in Japan is beautifully match, will therefore talent of Shigeru Mizuki. His picture is the balance of light and shadow is exquisite. But there is no shadow in the world of this mushroom. Therefore, the extra you have to produce a high alien world of wave
○ Mihira little people to the world of appeared. This is also a kind of specter us, we will get a good exaggerated haunted and monster characters of receiving the masses and become later in life, but originally Shigeru Mizuki fantastic characters, such as coming out to this book was like a taste. Mihira and elves to spread of the screen fills will not align. It is not anything the scene, but the intense grain of edge, under the parlor at the back of the darkness of the edge, the balance of Sanpei and children who are out there, you have to convert to something never commonplace the natural landscape. However there by placing a pumpkin of red-blue yellow, is us and then reduced to the local daily life
○ Osakabe raccoon dog appeared again. You can see the unique pen touch of Shigeru Mizuki in this scene. It was so also Mihira Shiratsuchi at the time, and the pen pressure to manipulate freely, we finished the texture of the characters and objects in a stunning draw once. This texture representation is going to be received connected to the Yoshiharu Tsuge after, boxwood until more will be to pursue the wet texture
○ now is is the wooden bridge not only to tourist destinations, 40's place of Showa There were commonplace in the country. That usually is in the octopus the bridge from the daytime is without the matrix are walking in an upright position. Since the face portion has become something like wearing a helmet, it is the Martian Kato octopus. The text is not related to the scene, but the surreal that is consistent with the Shigeru Mizuki works, through the monster who, by fusing the human world and the world (the universe), was it a thing to be visible (embodied). Although not able to be found out there to those that meaning in the human intellect, for our something is to feel the unknown world through the surreal, the Mizuki work will feel the charm of immeasurable
○ Mizuki from here sur Shigeru will be triggered. Alien world and the phenomenon to represent the road that connects the world is no choice but to other use this "surreal"
○ top of the frame is background with a simple line, ship, but I draw the water, drawn normally and just like that, but for each of the texture it can be expressed in a simple line up here would only Shigeru Mizuki. Frame picture of the bottom so as to conflict with it, is a vacant house that was surrounded by objects that are configured in a bold solid waterway at the entrance of the Sanpei will continue rowing a boat
○ cat-cho. Such as the mysterious vacant houses that are completely in a small empty house and signs of human habitation with no waterways in the forest that does not come people, probably will those monsters we were using, in the midst of nature Ki its mysterious presence,
○ finally Mihira things might as landmark that connects the different community and phenomenal world will end up in the house that inhabit the cat in the cat-cho. One panoramic view of the cat-cho in front of the page is, the landscape painting of seem
○ this cartoon of the Shangri-la of China will come out well. In the soil of the vineyard and Koetamari, our, but manure is like a tub to be pooled (pot), be essential items to Mizuki work, appeared immersed in something, generally someone there to have fallen. Although the work appears to be in the state of muddy, actually manure fermentation, it is purified by put to sleep for a while, because the manure of the field, but the surface looks hard and dry feeling, inside of a lot of moisture so much smell no has become a high-quality fertilizer (smell thing is smell, but there is no smell of the toilet). This is interviewed from real experience of someone who have fallen there in childhood (I)
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