(item number) 1004
(title) Wakagi Shobou/ "Maze 4"
(maker) Wakaki Shobo
(the date of issue) 1959 (S34) 02.03
(size) A5
(sheets) 128P
(side note) Top made with cover
(Condition Rating) 8
(detailed) Discolored, cover edges torn and damaged, pressure marks on back cover
(starting bid price) 60,000 yen
(comment) Traces of pressure on the back cover
Tsutomu Imamura "The Invisible Revenge (Completion)"
Yoshihiro "Walking at Night"
Madoka Oishi "Beyond Hatred"
Masaaki Endo "Fireworks (Part 1)"
Yoshiharu Tsuge "Mysterious Letter"
Masahiko Matsumoto "The Gun Town"
Yoshiharu Tsuge Rakugaki Essay Volume of Self-Introduction
Connections and Influences
・ Yoshihiro , I got acquainted with Yoshihiro, a pioneer of dramatography, in 1958, and was greatly inspired by his expressive techniques.
・ Sanpei Shirotsuchi , On the recommendation of Sanpei Shirotsuchi, who highly praised Ghost Chimney, Tsuge later established an active foundation for his work in the manga magazine "Gallo"
・ Masahiko Matsumoto / Osamu Tezuka , The composition technique of Masahiko Matsumoto, who was active in the world of lending at the same time, and storytelling learned from Osamu Tezuka's early works affected Tsuge's style.
[Maze[2][4][10][12]] , Up until then, he had published works mainly in Wakaki Shobo as well as in monthly manga magazines such as Hobunsha's "Bokai Book" and Akita Shoten's "Adventure King" and "Manga King", but after the launch of Maze in November 1959 (Showa 34), the book rental industry became blazing out, and until Gallo appeared, he limited the place to present his works to the world of borrowed manga.
Tsuge said that magazine work at a major publishing company on the night before Maze had inevitably received wishes and orders from publishers, and he was losing his motivation to create because he could not draw what he wanted to draw.
Therefore, it may have been natural for him to have reached a new frontier of "Gallow Chimpu" with a medium called loan manga that was smaller than that of large publishers, which was closer to publishers and more directly reflective of his writer nature. However, it didn't seem to be smooth sailing, as he was using the book rental industry as his main battleground, and was able to draw whatever he wanted. After all, it is something that the reader's eyes have, and this time, it will be a time to struggle between what you think and the public's demand, which will be directly linked to immediate monetary issues (Kubo)
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