(item number) 1006
(title) Wakagi Shobou/ "Maze 12"
(maker) Wakaki Shobo
(the date of issue) 1959 (S34) 10.03
(size) A5
(sheets) 192P
(side note) With cover
(Condition Rating) 6
(detailed) Kashi-hon, discolored and stained, cover folded, torn, chipped, and damaged, folds around cover, string binding reinforced with tape, pen writing on inside endpapers, writing on top and bottom page margins, small edge tear on p.91
(starting bid price) 35,000 yen
(comment) "Looking back and writing a pen
Endo Politics "The Vampire"
Tsuge Yoshiharu "The Secret of Dokuro"
Shikano "The Beard Detective"
Ishiguro Noboru "Two Faces"
Yokota Tokuo "The Picture of the Red Reaper"
Tsuge Tadao "Newbie Detective"
Onozuka Kenji "The Fall Hole"
Okuda Shotaro "Men play with a handgun"
・ Yoshihiro
Yoshihiro I got acquainted with Yoshihiro, a pioneer of dramatography, in 1958, and was greatly inspired by his expression techniques
・ Shiratsuchi Sanpei
Tsuge has established an active base in the manga magazine "Garo" at the recommendation of Shirotsuchi Sanpei, who has highly praised "Gabake Chimney".
・ Matsumoto Masahiko / Tezuka Osamu
Matsumoto Masahiko's compositional techniques, which were active in the world of rental at the same time as well as storytelling learned from early Tezuka Osamu's work, influenced Tsuge's style.
[Maze[2][4][10][12]]
Up until then, Tsuge had published works in monthly manga magazines such as Hobunsha's "Dearly Book", Akita Shoten's "Adventure King" and "Manga O", but after the creation of "Maze" in November 1959 (Showa 34), the rental book industry fell into disrepair, and until "Garo" appeared, it was almost exclusively limited to the world of rental manga.
Tsuge said that magazine work at major publishers on the eve of Maze at the time had inevitably received publishers' intentions and orders, and he was losing his motivation to create because he could not draw what he wanted to draw.
Therefore, compared to large publishers, it was a small-scale medium that was closer between publishers and authors, and it may have been natural to move his pivoted there." However, it didn't seem to be smooth sailing, as he was using the book rental industry as his main battleground, and was able to draw whatever he wanted. After all, it is something that the reader's eyes have, and this time, it will be a time to struggle between what you think and the public's demand, which will be directly linked to immediate monetary issues (Kubo)
128TsugeYoshiharu
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